With these guys in tow and sometimes a fair few more for good measure , you find yourself infiltrating Japanese bases and listening to distant shouts and rumblings as you prepare to hold off advancing troops on Bloody Ridge. You also find yourself running over airfields as countless Zeros swami overhead, trudging along jungle paths or waist-deep in jungle rivers and keeping your eyes on the undergrowth for the many, many ambushes that await you.
It's only here that Pacific Assault begins to impress a bit more on its own terms, regularly coming up with new objectives and environments that ensure that, even if you're not enraptured, you rarely get bored. Offence can be rapidly changed to defence quiet jungle paths can suddenly sprout shitloads and I mean shitloads, this is a game that favours quantity of enemy over quality of 'Banzai!
Here, in the jungle with lots of villages to snipe and fleeing soldiers to lead you into ambushes, there's plenty to enjoy even if the action regularly sways the wrong side of mindless.
One thing that Pacific Assault absolutely nails, meanwhile, is its healing system. Despite his bizarre prediction towards puking his guts up about four times a level towards the start of the game at least , the usage of Jimmy the medic is inspired.
If you're wounded, a brief tap of the keyboard informs him that you need assistance, and he then patches you up as soon as he can or when he's magically recovered from his own bullet wounds. This lessens the need for obsessive-compulsive quicksaving considerably, especially because when you're shot to pieces, as Jimmy can reach you to bring you back to the land of the living while you stare up at the sky through the mists of semi-unconsciousness.
That is. Squad control too is quite fun: you have limited control in that, when the game judges it feasible, you can tell them to open fire, retreat, regroup or push forward - although it's true that these effectively translate to 'I know you're shooting things, please carry on', 'Where the hell are you guys going?
Squad mechanics are loose, and rarely used tactically unless they relate to your own health-bar, but they still add an extra level to an otherwise linear experience. That said, while Call of Duty generally kept you with your allies because being behind a wall with them meant you were alive and going anywhere else meant you were dead , here it's too easy to find yourself fighting far in front of your homeboys, simply because you don't have the patience to follow their sometimes laborious pace or misplaced battle chat.
When it isn't trying hard to impress you. Pacific Assault is a fun blast, but it truly lacks the sense that you're fighting in a larger scale conflict, or even that you're fighting real people. When you get Banzai! The Al too, is from the school of alternately standing up and sitting down in a nearby window, while the easiest way to clear out a bunker is to shoot the guy on the mounted gun and then watch the troops take turns to waddle up to the gun and stand directly in your line of fire.
Meanwhile, the mandate of 'More! Etc' means that PA is also heavily punctuated by 'roller-coaster' moments that have you either being driven around in vehicles and doing all manner of exciting things with gigantic guns. This is fine in moderation, but by the end, you won't want to touch a gun emplacement ever again. This is a flawed game, and it'll be even more flawed in the punter's estimation in that it simply isn't Call Of Duty and never gets close to instilling the same thrills or emotions.
But this isn't to say that if you can get through to the meat of it, there's nothing to be enjoyed - if you look past its faults, there's variety, and you rarely get bored.
For proof, look no further than the bizarre turn of events that has you piloting a plane and going on bombing runs a few levels before the game's close. That said, I can't give it an 'Essential' tag. Despite a few points of ingenuity that shine through the murk, there's just not enough reasons for it to be a must-have game. It's also not nearly as good as Call Of Duty. Did I mention that already? Pacific Assault, the latest entry in EA's WW2 shooter franchise, is fast approaching completion, and is showing every intention of taking back the crown so effortlessly lifted by Call Of Duty last year.
E3 gave us a chance to sample some single-player missions, but we also had a chat with multiplayer producer Matt Powers about the online side of the game. We want people to say the same thing about the multiplayer game. Matt's key weapon in this battle is a new game mode called Invader.
Smelling strongly of Enemy Territory, Invader is an objectivebased attack-and-defend game for two teams. In a first for Medal of Honor , Invader is also set to feature a full set of player classes, including corpsman medic , combat engineer and basic infantry - again, strongly parallelling Enemy Territory.
You're witnessing a scene from hell: tracer fire is whizzing about your head; Japanese soldiers run at you, teeth and bayonets bared, screaming angry death; planes fly overhead raining bombs and missiles; a fellow soldier is cowering behind a wooden pillar too frightened to move; dozens of bodies float lifelessly in the sea.
One of the most important things we've realised conceptually and put in the game, is that war is a manic, hellish experience. A lot of shooters are simple -they put you in a situation, and you move forward very quickly.
However, in real war, bullets are coming behind you from the left and right, bombs are flying in; so you always need to have your head on a swivel, checking everywhere around you at all times. The sequel to the smash hit Allied Assault bravely moves away from the European theatre of operations towards the bitter fight against the Japanese in the Far East. As new recruit Tom Conlin, you begin your battle for survival at Pearl Harbor and end your tour of duty with the brutal assault on Tarawa, described above.
There's a reason most other shooters stick in Europe - the Pacific is very difficult to recreate, continues Kusin. You have dense jungle environments, with vivid colour schemes. The graphical intensity needs a big team, which is why we have more than people working on it. It's paid off though, as we feel we're on a par with the Doom 3s and Half-Life 2s, although the game will be scaleable so we don't alienate any fans with lower-spec machines.
The visual splendour on show is demonstrated aptly by one of the first missions we get to play. The River Walk level had me and my squad yomping through beautifully realised misty jungle, teeming with different trees, flora and fauna, grass that flattens as you crawl through it, changes in light from the forest canopy, flowing rivers with varying currents, waterfalls, and tropical birds that fly off when you disturb them.
Yet the one thing that becomes immediately apparent when you play Pacific Assault, is that this isn't a straight run-and-gun shooter. You have an Al-controlled squad that you have to work with to complete missions, with an icon popping up in the right-hand corner when your captain wants you to carry out orders. Kusin: We're taking the game off-rails with our new non-scripted dynamic Al system that's based around morale.
You'll notice this, for example, if your squad goes into a situation and kills the Japanese captain. Although there's no actual number displayed or anything, the enemy's morale would drop and your squad would want to move double-time and charge them.
In practice, this means a much more open and fluid push-pull' aspect of combat, with levels never playing the same way twice and events during skirmishes determining you and your enemy's battle strategy and mental state. This was proven in a later part of the River Walk level, when I threw a grenade into a formation of Japanese soldiers killing and scattering many of their squad.
As almost a last resort, they suddenly performed a banzai' attack, running suicidally straight at my squad with bayonets bared, requiring a quick barrage of machine-gun fire to see them off. Even after the shoot-out, I had to carefully check the bodies, as any surviving Japanese soldiers will attempt to set off a grenade as a final act of defiance.
If you or any of your squad do get injured, then you're going to have to rely on your medics - part of developer EALA's wish to jettison some of the more obvious videogame devices. In the real world you don't just come across medipacs and rations when you need them at the end of a level or at strategic points," says Kusin.
It's now vital to properly look after your squad - go storming off Rambo-style into the jungle, and your Corpsman may well be way back tending to injured soldiers, leaving you stranded. Also, if you do get shot or hurt, it's best to take cover first before you call for a medic, or you may be asking the poor doc to risk his own life getting to your position.
However, if your health does reach zero, you'll experience another innovation in Pacific Assault - Verge of Death' - when you start breathing heavily, hear disembodied voices, and the world slowly fades to black. In this short window of opportunity, you could be saved by a medic, rescued, killed by an enemy; in fact a range of outcomes, depending on the circumstances. It's perhaps overly cinematic, but the Verge of Death is hugely effective in giving those desperate moments a real tension and a terrifying feeling of life slipping away from you.
The EALA team is developing a WWII shooter that promises a huge range of different gameplay experiences, from epic island beach landings involving hundreds of soldiers and vehicles, through missions to rescue a downed comrade in dense jungle, to the tense seeking and destroying of silent snipers hiding in treetops. We'll find out if it's mission accomplished with an exclusive review and playable demo next month. EALA is planning major additions to the multiplayer side of Medal Of Honor with the addition of four classes of soldier Infantryman basic soldier , Corpsman medic , Engineer demolition expert and Ammo Tech handles heavier weapons and ammo.
As with other such online games such as Wolfenstein: Enemy Territory, the most successful squads will have a mix of classes for a well-balanced team. Also, in addition to basic Deathmatch and Capture The Flag modes, Pacific Assault introduces the Invader game type, where spawn points will move back and forth throughout a map.
There'll also be instant server select and Punkbuster technology incorporated, to hopefully put a stop to the mass cheating that happened with Allied Assault. Here's a little remembrance for you, lest we forget: Medal Of Honor: Allied Assault was a great game. We wouldn't play it in a fit these days, because it's been thoroughly superseded, but at the time it was truly marvellous - genre-defining, you might say.
It kick-started the war-shooter craze that grips us to this day, introducing the celebrated movie-like set-pieces and ramping up the intensity to gut-rumbling levels. Unlike most shooters of the time, it shifted the emphasis from single-handedly killing your head down and simply surviving -looking out for your buddies, moving from cover to cover, shooting only that which popped its head up inadvisably from a fortified bunker.
Hopefully by now you know the story that ensued. So the company took the sequel in-house, re-imagined the whole series in the Pacific, and started again from scratch. Now of course, the genre is thoroughly overcrowded. Call Of Duty, once the pretender, is now the genre benchmark: if Medal Of Honor: Pacific Assault was expecting a hero's welcome, it had better wise up.
It's come to market very, very late, and now has a hell of a lot to prove - especially in the wake of the excellent Call Of Duty: United Offensive add-on. After months of expectation, we've received some lovely single-player code for the game, and it's time to answer some of the big questions. What does it bring to the party?
Does it do enough to justify its existence? Is it, to put it bluntly, an irrelevance? To settle the last one straight off - no, it's not irrelevant.
In fact, it does a few quite interesting things with the war format, and with the right tweaking in the next month or so, could be a serious contender for your FPS attentions after you've finished Half-Life 2 for the second or third time, of course.
However, we'd be lying if we said it was going to be the defining moment the first game was. From what we've seen, Pacific Assault is going to have to rely on last-minute polish to match Call Of Duty. At present, it just doesn't have the same levels of excitement, intensity or scale. But don't switch off just yet.
The game has a definite charm of its own, and provided you reassess your expectations, there's plenty to look forward to here. For a start. Pacific Assault takes a different tack from Call Of Duty in a couple of key areas. While the basic gameplay is very similar -deliberately intense, highly scripted recreations of real- life historical battles, with a number of Al chums running at your side - the atmosphere is very different. Most obviously, you've got the sun-drenched tropical setting.
And I mean soaked. Some of the daytime missions are so bright and sunny, you actually think your gamma settings are screwed. The developer has created a super-saturated look where the light burns out a lot of the detail and colour from the environment. It's an unusual effect, but striking once you stop fiddling with your monitor settings.
There's also the jungle itself. After the initial excitement of Tarawa Atoll a shameless revision of Allied Assault's Omaha Beach mission and Pearl Harbour a short but hurricane-force conflagration , the game settles into a long series of jungle-based skirmishes.
Unsurprisingly, the dense greenery has a profound impact on the way the game plays. Simply spotting the enemies through the foliage becomes a difficulty, and considerations such as cover, camouflage and surprise all take on new significance. There are definitely a few problems here too. For a start, it's far more difficult to create walls' in the environment to delimit the play area, often resulting in glaringly obvious foliage corridors.
A careless bounding box on a tree or shrub occasionally throws up an invisible wall between you and your target very frustrating. Worst of all, the whole thing can simply become monotonous. In its favour. Pacific Assault does manage to keep the tempo up with a variety of action set-pieces. An ambush in a swamp, a village raid, an escort duty on an airfield.
True to formula, you also get the occasional high-paced on-rails section - riding shotgun in a stolen jeep or manning a mounted gun on a boat, for example. Overall though, the jungle theme is a lot less exciting than, say, a war-torn village in occupied France, and the choice of location seems more suited to small-scale clashes than grand Call Of Duty-style affrays.
Luckily, the game eventually moves out of the tight confines of the jungle and begins to climb to the levels of bullet-riddled ferocity we've come to expect. The advantage of that approach was variety and historical veracity , but the weakness was a lack of identifiable characters and ongoing narrative.
Here, Pacific Assault pounces, taking an active interest in character and working to build up the central figure of Tommy, the scared yet plucky young marine raider. It's a real contrast to Call Of Duty.
Where that game had an international flavour, Pacific Assault is resolutely American, portraying Tommy as a small-town boy who just wants to get home to momma's apple pie.
Your squad-mates are also fleshed out to some extent in the grainy cut-scenes: the loudmouth leader, the bookish medic, the country bumpkin who's a mean shot with a sniper rifle. Despite the fact that they're oddly indestructible on the battlefield, it works pretty well, creating a real feeling of identity and comradeship. At the outset, you're the rookie, fresh from a post-Pearl Harbour furlough and a few months' hurried training.
You're initially looked on as a liability, the rook', and there's a genuine sense of gratification as you prove yourself to the more hardened raiders. Of course, it's manufactured that way, but ignore that fact and it works nicely. An even stronger feature of the game is the new Corpsman' function.
Rather than scattering health packs through the undergrowth, Pacific Assault introduces a corpsman or medic character that you can call on by pressing H' for, er, Help. It works much the same way as the equivalent character in a class-based multiplayer bout, except that this medic is actually obliged to come and treat you when called upon. Of course, there are some caveats. If you're in the middle of a blazing firefight, the medic may not be able to reach you likewise if you stray too far from your squad.
Your doctor's appointments are also limited in number, so it's not a licence to go on a rampage and then limp back for medical attention though that's exactly what I did throughout, to my cost. To complement this feature, you also have to patch yourself up on occasion. Medal of Honor Pacific Assault is a first-person shooter game. Medal of Honor Pacific Assault Review has once again come up with some very interesting and latest features which are completely unique and different from all the previous version of Medal of Honor Games, this amazing game was developed by apunkagames and was further published by oceanofgames for.
Medal of Honor Pacific Assault download free. It is the 7th installment of the Medal of Honor series. It is primarily a first-person shooter, with the exception of one level in which the player flies an SBD Dauntless in the middle of a dog fight. The engine of the game is a modified Lithtech Jupiter, and Havok physics engine. The music was composed by Christopher Lennertz. The game puts the player in the role of Pvt.
Thomas Conlin, a U. The game opens up on Conlin, about to land on Tarawa in a landing craft. His voice-over reminisces about how much of a journey it was to arrive there, commenting on the friends he's lost, the untrained quality of the new-recruits «three week wonders», he calls them and the futility of taking this small stretch of land from the Japanese.
As Conlin's Amtrac approaches the shore, it's hit by an artillery shell, throwing Conlin and the other passengers into the shallow ocean, forcing them to wade ashore. Conlin fights his way onto to the shore, only to get cut down by a bullet during a Japanese counter-attack.
As he 'bleeds out', the game flashes back to the start of Conlin's first day of basic training, where the player is introduced to the characters that will become his squad; the squad leader Frank Minoso; a big, smooth talking, New Jersey native; sniper William 'Willie' Gaines, a country boy from North Carolina; and corpsman James Sullivan, a quiet sailor from a rich family in Oak Park, Illinois.
After training, Conlin is assigned, without the rest of his training battalion, to serve aboard the U. He arrives at Pearl Harbor early on the morning of December 7th, During the subsequent Japanese attack, he dodges strafing runs, rescues wounded servicemen, and defends USS West Virginia, preventing it from sinking.
In the next level Conlin is reassigned to the 2nd Marine Raider Battalion joins with Minoso, Gaines and Sullivan, as well as two unnamed marines, as they take part in the notorious Makin Island raid. During the raid, they are tasked with destroying a radio tower, destroying a supply dump, and rescuing a downed airman, before returning to their insertion point to fend off a Japanese counter-attack and defend their submarines from an aerial attack.
Following the Makin raid, the squad is assigned to the 1st Marine Raider Battalion and deployed to Guadalcanal, where they are first deployed to defend Henderson Field and the outlying area against a Japanese attack, culminating in a push to re-take the airfield. As part of the Guadalcanal Mission, Conlin becomes an impromptu pilot, as he is required to take control of the SBD Dauntless that is transporting him to 'the fleet' that is preparing an assault on Tarawa Atoll.
During this mission, he pilots the aircraft against enemy Zeros, an enemy island base, and finally a Japanese carrier task group. During this mission, Sgt.
Minoso in another plane is shot and either critically wounded or killed, depending on the player's actions.
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